For these projects, I was responsible for
the immersive sound production.

Music, sound design and on-site support for the roll-in of the first Lufthansa Dreamliner: one hangar, two cities, 2,500 guests and a running order that had to land on the second.

You have to feel the Audi R8 Coupé V10 GT. That makes it the protagonist for this ASMR video combined with 8D audio for headphones

DKMS's Destiny's Ride uses immersive sound in marketing to convey emotions and move people as 3D audio experience

A digital event that creates closeness: experience how 3D audio turns a live stream into an immersive experience full of emotion and presence.

For the award-winning Audi film "The Sensation of Sound" I recorded all of the location sound binaurally. A film about sound only works if you can actually hear it.

For a world premiere on a closed bridge in Los Angeles the evening was additionally recorded as Apple Immersive Video. Out of 96 tracks of show recording and separate car recordings I built the immersive sound version.

What if a livestream didn’t just show the stage, but actually put you in the room? This 3D-audio demo for the Münchner Lach- & Schießgesellschaft turns cabaret into a spatial experience: aughter rises from the sides and behind, and the venue suddenly feels real again.

How can you bring the Munich Oktoberfest and VR into one immersive experience while preserving the authentic sound?

How does Germany sound in 3D audio and how it inspires the tourism industry? Here I accompanied the campaign from ideation to the launch

Award-winning at international festivals, the experience as a 360 video and as a dome projection with object-based 3D audio takes you into the mind of a man at a turning point in history - intense, immersive, unforgettable.

Drift across Lake Chiemsee at sunset in 360° — with sound that turns when you turn, so it feels like you’re really there - on a Stand Up Paddle

How can people understand each other when words aren’t enough? This is exactly where Eddie and I, an interactive VR experience, begins.

This VR narrative turns its gaze to the paradox of the creative industry. The thematic framework is Christmas VR and a little mouse.

Ambisonics sound for a 360° nature film for furniture brand JANUA: field recording in the forest, sound design for headphones, a trade-fair install at IEM Cologne and Salone del Mobile Milan.

The 360° film "Bauhaus in Bavaria" traces Gropius and Rosenthal at the original locations for the centenary. I did the whole sound: from the VR mix to the dome projection.

Twelve artists from eight countries paint a Munich office campus, the 360° camera rides along in the basket of a cherry picker. For the documentary Fatcap I did the spatial mix.

Julia Leeb filmed in seven cut-off regions, from Congo and the Nuba Mountains to Colonia Dignidad in Chile. No sound engineer was ever on location. At INVR.SPACE I handled sound design and mix for this VR documentary, plus the intro and menu of the app "Brave New Realities".

Lovingly called "our Vietnam documentary", is an innovative 360 documentary in which you become a traveler yourself, interactive or cinematic.

I wanted to know: Can a tourist sitting in front of a screen really feel as if they are already in Leipzig – using only image and 3D audion? Leipzig is the perfect testing ground for this.

This commercial of the German Wine Institute (DWI 360 Experience) is a high-end 360° video with 3-D-sound in German and English

In this VR experience, it’s not arrows on the floor that guide you, but an archaeologist who moves acoustically through the space. You turn toward his voice, follow him through the Forum, into the Circus Maximus, and into the arena.

A dome has no front. For the 40-minute fulldome projection Emergence in Nature at the Deutsches Museum I composed the music, built the sound design and mixed the entire piece in 9.1.4 with Spat Revolution.

How it is to be tortured, this 360 trailer makes it possible to experience on YouTube & Facebook. A captivating story from an ego perspective, first-person view.

Experience 'Ne Pleure Pas Devant Ma Tombe,' a profound virtual reality storytelling journey where audio infuses the narrative with depth. Explore the fusion of storytelling, meticulous audio integration, and emotional immersion.

For Audi’s brand film about swarm intelligence I wrote the music, recorded the orchestra in a freezing industrial hall and did the mix and sound design. The piece was finished before the first slate.

My entire sound for this Virtual Reality Experience, shot in Belgium, Denmark, and Bangladesh. I delivered the 360° sound mixes in 7 languages and interactive UX elements.

An outstanding project for immersive virtual reality experiences. The EU saves lives in Kenya and uses Facebook 360 with 3D audio for marketing.

find out how to produce an immersive learning experience with high-end 360 video content for a learning platform with 3D audio

"Emperor" puts you inside the mind of a man who lost his speech after a stroke, told from his daughter's perspective. Winner of the Achievement Prize at Venice Immersive 2023. I produced the German voice version: in Unity every line is a separate asset that has to match the exact length of the English original.

A 360° camera rides the helicopter load up to a chairlift tower, and the viewer stands right in the middle of the installation. For Swiss production company Avocado 360, I created the spatial audio mix for this career-insight video about the ropeway mechatronics apprenticeship.

A theater experience that gets under your skin: mental illness with 3D audio right into the living rooms - intense, close and moving.

How can 3D sound be used when the entire audience is wearing headphones? Here I was able to overcome many limitations of stereo and rethink storytelling

The installation dives deep into the interplay of water, sound and matter, crossing traditional boundaries with XR, VR, AR and immersive sound installation

As immersive art continues to evolve, preserving its legacy and harnessing its educational potential become increasingly important. Interactive exhibits and digital realities are not only captivating for visitors—they also serve as powerful tools for teaching art, history, and culture.

Experience Musik in a whole new way: a VR orchestra in 360 degrees with immersive 3D audio puts you right in the ensemble. Classical music meets virtual reality, a unique concert experience.

I created a 360° ASMR video with spatial audio in collaboration with NanouASMR, bringing sound from all directions to life. Our 3D audio clips garnered millions of views on Social Media.

As the first frame subtly reveals: This 360° video contains 3D video and 3D audio. A milestone set with the YouTube stars from CorridorDigital.

A VR short film built in Unreal Engine only ran on gaming PCs, and the festivals wanted 360°. For Cologne production company Digitalclay I built the spatial sound for the 360° version, which screened in the ALPINALE VR competition in August 2026.

The Audi Beat shows how the different professions of a car dealership interact like an orchestra. A video-beat project that I accompanied before, during and after the shooting.

HD+ meets Bundesliga. A 360/VR experience with immersive storytelling that makes targeted use of the emotionalization and visual guidance of the 3D sound.

This AR project for SPAR Stickermania shows how an augmented reality application for children can offer added value over mere collecting.

Robin is the story of the last wishes of a boy with cancer. The innovative campaign Watch for Wishes collected donations for a real social impact on YouTube with every click.

A demonstration of the connectivity of the Samsung Galaxy S7 with the BMW 7 Series, as a 360 video with an upmix as Ambisonic Audio.

For TURN ON, MediaMarkt's tech show, I explained in the studio why 3D audio in VR is more than an afterthought. The occasion was the Meta Quest 3S dropping its headphone jack, the result a short explainer for a broad YouTube audience.

The complete Video Beat post-production: image (editing, split screens, color grading) and sound (restoration, mixing, music) from one source.

Sound on vision with recordings on set, sound design and mixing in post-production. And because I really mean complete, I also composed the music.