For these projects, I was responsible for
the immersive sound production.

The engine existed, the car that could drive did not. For the Bugatti Tourbillon reveal, the sound had to do the work, from original test bench recordings to the dramaturgy in the room.

Lufthansa's first Dreamliner, two hangars, 2,200 guests and a running order that kept changing until show day. Music, sound design and mixing for the roll-in, including a moment that only made it into the script on the day itself.

You have to feel the Audi R8 Coupé V10 GT. That makes it the protagonist for this ASMR video combined with 8D audio for headphones

A container at festivals, three patient stories in 3D audio and vibration vests: for DKMS this became a listening experience after which almost 500 people registered as stem cell donors at the premiere.

Covid turned BKW Engineering's company event into a livestream for 2,200 people. A binaural audio drama on headphones made it an evening that felt closer than any hall, and it won at the XAVER Award 2022.

For the award-winning Audi film "The Sensation of Sound" I recorded all of the location sound binaurally. A film about sound only works if you can actually hear it.

For a world premiere on a closed bridge in Los Angeles the evening was additionally recorded as Apple Immersive Video. Out of 96 tracks of show recording and separate car recordings I built the immersive sound version.

3D sound for the live streams of Munich's Lach- & Schießgesellschaft: a dummy head in the hall, so viewers at home sit in the front row.

How can you bring the Munich Oktoberfest and VR into one immersive experience while preserving the authentic sound?

How does Germany sound in 3D audio and how it inspires the tourism industry? Here I accompanied the campaign from ideation to the launch

Award-winning at international festivals, the experience as a 360 video and as a dome projection with object-based 3D audio takes you into the mind of a man at a turning point in history - intense, immersive, unforgettable.

Drift across Lake Chiemsee at sunset in 360° — with sound that turns when you turn, so it feels like you’re really there - on a Stand Up Paddle

How can people understand each other when words aren’t enough? This is exactly where Eddie and I, an interactive VR experience, begins.

This VR narrative turns its gaze to the paradox of the creative industry. The thematic framework is Christmas VR and a little mouse.

Ambisonics sound for a 360° nature film for furniture brand JANUA: field recording in the forest, sound design for headphones, a trade-fair install at IEM Cologne and Salone del Mobile Milan.

The 360° film "Bauhaus in Bavaria" traces Gropius and Rosenthal at the original locations for the centenary. I did the whole sound: from the VR mix to the dome projection.

A rainforest is an acoustic place where you hear almost everything and see almost nothing. For the 360° film "Inside Tumucumaque", part of the crossmedia project DELTAS, I did the ambisonic mix and the sound design, from water at the hull to the deliverables for headset, VR cinema, and exhibition.

Twelve artists from eight countries paint a Munich office campus, the 360° camera rides along in the basket of a cherry picker. For the documentary Fatcap I did the spatial mix.

Julia Leeb filmed in seven cut-off regions, from Congo and the Nuba Mountains to Colonia Dignidad in Chile. No sound engineer was ever on location. At INVR.SPACE I handled sound design and mix for this VR documentary, plus the intro and menu of the app "Brave New Realities".

Lovingly called "our Vietnam documentary", is an innovative 360 documentary in which you become a traveler yourself, interactive or cinematic.

I wanted to know: Can a tourist sitting in front of a screen really feel as if they are already in Leipzig – using only image and 3D audion? Leipzig is the perfect testing ground for this.

VR experience for the German Wine Institute: harvest, tractor ride, wine cellar. The sound travelled back to the team over the video link.

Three 360° films for Faber Courtial's "Follow Me" series: the Colosseum, the Forum and the Circus Maximus. The voice of narrator Mario sits where he stands in the picture, so you turn towards him and end up looking in the right direction.

A dome has no front. For the 40-minute fulldome projection Emergence in Nature at the Deutsches Museum I composed the music, built the sound design and mixed the entire piece in 9.1.4 with Spat Revolution.

How it is to be tortured, this 360 trailer makes it possible to experience on YouTube & Facebook. A captivating story from an ego perspective, first-person view.

Experience 'Ne Pleure Pas Devant Ma Tombe,' a profound virtual reality storytelling journey where audio infuses the narrative with depth. Explore the fusion of storytelling, meticulous audio integration, and emotional immersion.

For Audi’s brand film about swarm intelligence I wrote the music, recorded the orchestra in a freezing industrial hall and did the mix and sound design. The piece was finished before the first slate.

VR roadshow for DG ECHO: 360° sound from Brussels, Denmark and the Cox's Bazar refugee camp in Bangladesh, without dramatic music.

Second round of #EUsavesLives: daily life of a 13-year-old boy from Somalia in the Kakuma camp, filmed in 360° with a team of four.

An independent listening test for Ceva: three spatial audio earbuds with head tracking compared side by side, published with disclosure and ranking 3rd on Google for “best spatial audio earbuds”.

An AI-powered assistance system that processes LiDAR data and turns obstacles into precise sound cues in real time. Designed to warn blind users early about changes along their familiar routes.

360° interviews for the 361XR learning app: sound on set and in post, delivered separately from the picture for other languages.

"Emperor" puts you inside the mind of a man who lost his speech after a stroke, told from his daughter's perspective. Winner of the Achievement Prize at Venice Immersive 2023. I produced the German voice version: in Unity every line is a separate asset that has to match the exact length of the English original.

A 360° camera rides the helicopter load up to a chairlift tower, and the viewer stands right in the middle of the installation. For Swiss production company Avocado 360, I created the spatial audio mix for this career-insight video about the ropeway mechatronics apprenticeship.

A theater experience that gets under your skin: mental illness with 3D audio right into the living rooms - intense, close and moving.

How can 3D sound be used when the entire audience is wearing headphones? Here I was able to overcome many limitations of stereo and rethink storytelling

The installation dives deep into the interplay of water, sound and matter, crossing traditional boundaries with XR, VR, AR and immersive sound installation

As immersive art continues to evolve, preserving its legacy and harnessing its educational potential become increasingly important. Interactive exhibits and digital realities are not only captivating for visitors—they also serve as powerful tools for teaching art, history, and culture.

Sit in the middle of the youth symphony orchestra of the Musikschule Leipzig: 360° sound for VR, shown at the Musikfest für alle 2025 in the Gewandhaus.

I created a 360° ASMR video with spatial audio in collaboration with NanouASMR, bringing sound from all directions to life. Our 3D audio clips garnered millions of views on Social Media.

As the first frame subtly reveals: This 360° video contains 3D video and 3D audio. A milestone set with the YouTube stars from CorridorDigital.

A VR short film built in Unreal Engine only ran on gaming PCs, and the festivals wanted 360°. For Cologne production company Digitalclay I built the spatial sound for the 360° version, which screened in the ALPINALE VR competition in August 2026.

A car dealership as an orchestra: for Audi, staff played brake discs, tyres and tools. The result was a beat that ran in dealerships as a recruiting video.

Second edition for HD+: dialogue in front of a green screen, atmosphere built in post, stadium, sauna and mountain in 360°.

Music and sound for the SPAR Stickermania AR sticker album app: 16 animals with their own music, a maze with a mummy, five jingles.

Robin is the story of the last wishes of a boy with cancer. The innovative campaign Watch for Wishes collected donations for a real social impact on YouTube with every click.

A connected car feature is invisible as long as it works. For BMW and Samsung it became a 360° car POV drive: a BMW 7 Series, a Galaxy S7, and sound that moves with the driver's perspective.

Four 360° episodes along Alexander von Humboldt's route through Colombia and Ecuador, for the Goethe-Institut. I built the spatial sound version in both languages: voices positioned in the sound field, music carried over from stereo, delivered as ambisonic master and stereo version.

For TURN ON, MediaMarkt's tech show, I explained in the studio why 3D audio in VR is more than an afterthought. The occasion was the Meta Quest 3S dropping its headphone jack, the result a short explainer for a broad YouTube audience.

The complete Video Beat post-production: image (editing, split screens, color grading) and sound (restoration, mixing, music) from one source.

Sound on vision with recordings on set, sound design and mixing in post-production. And because I really mean complete, I also composed the music.