{"id":9905,"date":"2023-11-24T12:24:01","date_gmt":"2023-11-24T11:24:01","guid":{"rendered":"https:\/\/www.vrtonung.de\/?p=9905"},"modified":"2026-05-25T19:11:00","modified_gmt":"2026-05-25T17:11:00","slug":"vrtonung-learning-the-spatial-audio-course-for-immersive-media","status":"publish","type":"post","link":"https:\/\/www.vrtonung.de\/en\/vrtonung-learning-the-spatial-audio-course-for-immersive-media\/","title":{"rendered":"VRTonung learning &#8211; THE spatial audio course for immersive media"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":19,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_yoast_wpseo_opengraph-image":"https:\/\/www.vrtonung.de\/wp-content\/uploads\/3D-audio-kurs-3.jpg","_yoast_wpseo_opengraph-image-id":"10006","_yoast_wpseo_twitter-image":"https:\/\/www.vrtonung.de\/wp-content\/uploads\/3D-audio-kurs-4.jpg","_yoast_wpseo_twitter-image-id":"10008","footnotes":""},"categories":[],"tags":[23,27],"class_list":["post-9905","post","type-post","status-publish","format-standard","hentry","tag-overview-en","tag-tools-en"],"acf":{"remove_from_blog_overview":false,"alternative_title":"","previewimg":10004,"text":"In recent years, the importance of spatial audio in immersive media has increased rapidly in various industries. Immersive audio refers to sound that can accurately place a listener within a three-dimensional space, allowing users to position sound along the vertical axis as well as the horizontal axis.\r\n\r\nThis creates immersive sound environments that go beyond traditional stereo or surround sound. However, most sound engineers still usually talk about \u201cimmersive and spatial audio\u201d, but only mean \u201c3D music production\u201d.\r\n\r\nImmersive music is legitimate if done well, but in my perception, it is only a small piece of the immersive media puzzle \u2013 and one with comparatively little potential. \r\n\r\nWith advancements like Dolby Atmos and Apple Spatial Audio, immersive audio has become more accessible to general consumers, making immersive sound experiences available through popular streaming platforms and not just high-end studios. \r\n\r\nSo let\u2019s look at where there are far more possibilities for spatial sound.\r\n\r\nBefore I reveal what I mean by that, let\u2019s take a look at the job description of immersive media designers. \r\n\r\nYou will get a thorough introduction and learn how diverse and life-changing this industry can be.\r\n\r\n## Introduction to Immersive Audio\r\n\r\nImmersive audio is reshaping the way we perceive and interact with sound, placing the listener at the very heart of a three-dimensional soundscape. \r\n\r\nUnlike traditional surround sound, which primarily positions audio around the listener on a horizontal plane, immersive audio formats such as Dolby \r\n\r\nAtmos and Apple Spatial Audio add a vertical dimension, allowing sound to move above, below, and all around. This creates a truly lifelike audio experience, where every detail can be precisely placed within a virtual space.\r\n\r\nThe history of immersive audio traces back to early experiments in surround sound, but recent advances in technology have unlocked new creative possibilities for audio engineers and sound engineers. \r\n\r\nToday, immersive audio is at the forefront of music, film, and games, enabling artists and creators to craft environments that draw the listener deeper into the world of their projects. \r\n\r\nWhether it\u2019s the subtle ambiance of a film scene, the dynamic soundscapes of a video game, or the enveloping mix of a live concert, immersive audio enhances storytelling and emotional impact.\r\n\r\nThe benefits of immersive audio are far-reaching: it increases listener engagement, provides a more realistic sense of space, and opens up new avenues for creative expression. \r\n\r\nAs immersive audio formats continue to evolve, they are becoming essential tools for anyone looking to create cutting-edge audio experiences in music, film, and beyond.\r\n\r\n## Designers of immersive media\r\n\r\nImmersive media designers are responsible for the audiovisual design of XR content, which includes many visual as well as auditory aspects.\r\n\r\nThis professional field has become increasingly important as immersive media applications in areas such as augmented reality and virtual reality \u2013 or spatial computing, as Apple calls it \u2013 are on the rise. As an expert, I have been closely involved in defining the content over the last few years.\r\n\r\nThe importance of audio in the field of immersive media design, compared to image, video and sound media design, is about 10-20%, instead of 40-50%.\r\n\r\nI do not consider the immersive media engineers to be complete audio producers, as the required knowledge and skills cannot be taught completely within a limited time frame due to their complexity. It was much more important to convey the importance of good sound design.\r\n\r\nTherefore, it was important to me to create something to increase the appreciation of audio quality in media production, rather than replacing sound creators with an immersive all-in-one device.\r\n\r\nThe training in this field integrates various skills such as consulting, conceptualization, design, and programming with a focus on audiovisual design of XR content.\r\n\r\nIn this industry, it is crucial that both sound engineers and non-sound experts understand why audio is so essential to media production. 3D audio plays a key role in the user experience (UX) and storytelling of XR content.\r\n\r\nThere are now plenty of documents available on the website of the Federal Institute for Vocational Education and Training (German: BIBB), such as the \r\n[link url=\"https:\/\/www.bibb.de\/dienst\/berufesuche\/de\/index_berufesuche.php\/profile\/apprenticeship\/gestim23\" text=\"framework curriculum on content\"]\r\n\r\n### Content structure: Modules and fields\r\n\r\nHowever, we want to pay special attention to audio production. The training lasts 36 months and the first year is quite similar to the media designer for image and sound. \r\n\r\nThis lays the foundations. An immersive audio course for beginners typically covers the fundamentals of sound spatialization and the transition from channel-based to object-based audio.\r\n\r\nThere are 11 module fields, all of which follow the following pattern. Here is an example of our favorite \u201cModule field 7 \u2013 Realizing sound worlds\u201d.\r\n\r\nIn this course, students learn to plan, implement, and evaluate sound productions for digital realities in accordance with customer requirements.\r\n\r\nThey analyze the orders and make decisions regarding the technical and content-related implementation, also taking into account legal characteristics.\r\n\r\nIn addition, they select the equipment and software required, including in the area of 3D production, and work in communication with other participants, including in German and in a foreign language.\r\n\r\nStudents are responsible for the entire production process, including the handling to capture spatial audio, mixing, post-production in digital audio workstation and quality control.\r\n\r\nThey present the results to clients, take feedback and make necessary adjustments to the playback before exporting the final sound products according to the technical requirements for the desired uses.\r\n\r\nIn addition, they reflect on their work process to improve their teamwork and save all relevant project data, taking into account economic and organizational factors.\r\n\r\nOf course, it all sounds very theoretical at first, but in practice, it can be quite a beautiful application.\r\n\r\nFor example in the audio production of a radio play. Or, when adding sound to a finished 3D room, such as a virtual zoo. Of course, it\u2019s not enough to just think about the sound.\r\n\r\nThat\u2019s why you\u2019ll learn the basic techniques of sound to reproduction again and again in the other modules. For example, how sound can be used for storytelling or which format is best suited for which immersive medium.\r\n\r\n### Thinking outside the immersive box\r\n\r\nI studied media technology and production for over 10 semesters at Bachelor\u2019s and Master\u2019s level, including an internship semester.\r\n\r\nDuring my studies, I attended a variety of courses full of lectures on physics, acoustics, digital signal processing, audio applications, psychoacoustics, etc. \r\n\r\nThe theory behind immersive audio includes understanding psychoacoustics and the technology that enables spatial perception.\r\n\r\n![](https:\/\/www.vrtonung.de\/wp-content\/uploads\/Martin-Rieger.jpg)\r\n\r\nAt the same time, however, I also took exams on visual 3D models, video content and computer science courses.\r\n\r\nThis broad education made it easier for me to explore and specialize in the field of immersive 3D audio. \r\n\r\nIn contrast, conventional sound engineers, for example from the SAE Institute, often have difficulties taking their first steps in this field, as pure audio expertise is not enough\u2014a deeper understanding of both technical and perceptual aspects is essential.\r\n\r\nFor projects in the field of sound spatialization of immersive media, knowledge of game engines and programming is usually indispensable.\r\n\r\n## 3D Learn audio the right way\r\n\r\nWhat sets me apart is a very diverse portfolio. I have worked with virtually every immersive technology, have advised a number of industries, and provided them with the right audio production, hardware, and techniques.\r\n\r\nNow I have been commissioned to take over the training of vocational school teachers throughout Germany.\r\n\r\nThere is currently hardly any teaching material available, only a few tutorials. There is also some course information, very specific literature, and course information but it is far from the actual learning fields.\r\n\r\nBut it\u2019s not that bad, the necessary knowledge is already buzzing around in my head or blog anyway. That\u2019s why I sorted through all the basics and expanded them where I couldn\u2019t get any further with stereo sound.\r\n\r\nThe result is a 3D audio video course that has already been tested on screen with over 20 teachers and was very well received.\r\n\r\nWhen it comes to tools and technologies, software used for immersive audio includes Pro Tools, Logic Pro, and Dolby Atmos Renderer, alongside Ambisonic microphones for hardware.\r\n\r\n![](https:\/\/www.vrtonung.de\/wp-content\/uploads\/Game-Audio-MeetUp-MuI%C2%88nchen-Bild-von-Veranstaltung_1040x585-2.jpg)\r\n\r\nI can say that quite unique concepts and techniques have emerged from this that can be applied to all immersive media.\r\n\r\n### The 3D Audio Matrix\r\n\r\nI couldn\u2019t think of a better name, so that\u2019s what it\u2019s called now. \r\n\r\nI was looking for a way to put the whole world of immersive media from music, movies, podcasts, 360 videos, head tracking, games, AR\/VR\/XR\/Metaverse\/Spatial Computing into one overview platform.\r\n\r\nThis structure is probably the only one that takes into account the levels of freedom for each medium. All overviews that advertise \u201cwhat you need to know about 3D audio\u201d only take into account: mono, stereo, surround, object-based 3D audio and, at best, ambisonics.\r\n\r\nFor me, however, the dimensions go further and only then become really exciting. For example, when the listener doesn\u2019t just look straightforward.\r\n\r\nI also take into account the differences and similarities when using headphones and speakers. \r\n\r\nIt is important to select compatible equipment\u2014such as headphones, speakers, soundbars, and audio interfaces\u2014to ensure all components work seamlessly together in your audio setup. \r\n\r\nMost sound design is mixed on loudspeaker technology with the expectation for the magic \u201cbinauralize\u201d button to do all the work.\r\n\r\n![](https:\/\/www.vrtonung.de\/wp-content\/uploads\/Kopfhoerer-und-Lautsprecher-sound.jpg)\r\n\r\nAfter more than half a decade of full-time experience with binaural audio, I can promise you that it doesn\u2019t work that way if you want to do it well. \r\n\r\nIn addition, headphones enable access to many mix elements that cannot be realized with loudspeakers.\r\n\r\nA suitable digital audio workstation (DAW) is also necessary for mixing immersive audio, as it provides the tools and environment required for advanced spatial audio production.\r\n\r\n### Learn 3D Audio the right way\r\n\r\nDuring my courses, I give participants an introduction and insight into various industries and use cases, including marketing, automotive, and medicine, highlighting the different technologies that drive innovation in these fields. \r\n\r\nI present spatial audio with examples to make the learning content tangible and explore the practical benefits of immersion. \r\n\r\nMany mixes and speakers you hear now say \u201cspatial audio\u201d, but how do I know if it\u2019s good or better than 2D stereo?\r\n\r\nA key lesson I teach is that a basic understanding of concepts and principles is more important than simply mastering tools. \r\n\r\nMy approach is to introduce ways of thinking that structure the topic of immersive audio in a completely new way and thus lay the foundation for becoming a producer yourself. \r\n\r\nImmersive audio uses sound objects, granting far greater levels of control and the ability to move a sound's position dynamically.\r\n\r\n### Learning 3D audio \u2013 the spatial audio course for 3D mix\r\n\r\nI don\u2019t think much of introducing just any tools because they age quickly and there is no plugin that meets all requirements anyway. \r\n\r\nOf course, you will see Reaper, ProTools, and other essential DAWs like Pro Tools, which offer support for immersive audio formats, as well as real-time engines like Unity etc. DAW mastery involves training on Digital Audio Workstations that support immersive audio, such as Pro Tools and Reaper.\r\n\r\nInstead, my approach is dynamic, and new videos are always being added \u2013 depending on the demand.\r\n\r\nOf course, there are also practical submissions based on testing one project or another under real conditions, focusing on immersive mixing techniques, including atmos integration for headphone-specific mixes. \r\n\r\nCalibration and configuration functionality is essential for mixing multichannel audio accurately, ensuring precise speaker balance and optimal performance of your immersive audio system. \r\n\r\nThere are also individual and group coaching and discussion sessions in which I answer users\u2019 questions or provide feedback, often exploring solutions for immersive and binaural audio challenges.\r\n\r\nI know that some people want to know more how to record Dolby Atmos in Logic, but encoding such binaural sounds and atmos integration is just not for everybody.\r\n\r\nThe course is currently being made available to various educational institutions. \r\n\r\nThe vision is to build a system that enables education at the highest level regardless of location and can sustain itself. \r\n\r\nThe next step will therefore be to add modules to the course, including in-depth exploration of reverb for creating immersive environments and advanced immersive mixing techniques. \r\n\r\nThe Berklee course offers an in-depth exploration of techniques and software essential for crafting immersive music mixes.\r\n\r\nThat is why I have brought the leading audio engineers of well-known musicians on board for the first focus on 3D music production. The Full Sail DC3 course equips music professionals with skills to adapt music for immersive audio experiences.\r\n\r\nFurther focuses are planned, such as immersive Dolby Atmos films, podcasts, live sound, full-dome, 360 film, AR, VR etc., etc. Anyone who would like to contribute and has the necessary expertise is welcome to get in touch!\r\n\r\n[newsletteroptin text=\"Learn 3D audio for immersive media \u2013 subscribe to the newsletter!\"]\r\n\r\n## Spatial Audio and Visual Media\r\n\r\nSpatial audio is a cornerstone of immersive audio, enabling creators to build soundscapes that mirror the complexity and nuance of real-world listening. \r\n\r\nIn visual media\u2014whether it is film, TV, or streaming content\u2014spatial audio draws viewers into the story, making every scene more vivid and emotionally resonant. \r\n\r\nBy simulating how sound moves and interacts within a space, audio engineers can guide the audience\u2019s attention, heighten suspense, or create a sense of wonder.\r\n\r\nArtists and producers in the music industry are also embracing spatial audio to craft innovative listening experiences. \r\n\r\nWith tools that allow for precise placement and movement of sound, they can create mixes that surround the listener, offering a new dimension of depth and clarity. \r\n\r\nThis not only benefits the audience but also empowers artists to express their creative vision in ways that were previously impossible.\r\n\r\nThe integration of spatial audio into visual media is transforming the way we experience entertainment. \r\n\r\nFrom blockbuster films to immersive TV series and cutting-edge music releases, spatial audio is setting a new standard for quality and engagement. \r\n\r\nFor audio engineers and creators, understanding and leveraging spatial audio is key to delivering compelling, world-class content that stands out in today\u2019s competitive landscape.\r\n\r\n### Future of immersive audio learning\r\n\r\nFor more information and questions, simply go to my website [vrtonung.de](http:\/\/vrtonung.de), and apply for a free initial consultation if you are interested in the online course made in Munich.\r\n\r\nWe will clarify whether the course will take you to the next level and what entry opportunities you have in the industry (with daily rates that are well above average).\r\n\r\nThe AES Immersive Audio Academy is an online event that focuses on technology and solutions for immersive and binaural audio. Participants of the AES Immersive Audio Academy receive a certificate of achievement after completing the event.\r\n\r\nThanks to Vanessa Strobel, who didactically prepared the implementation and surveys with quizzes in the form of her Master\u2019s thesis. This is just the foundation, but with this environment, we will shape the future of immersive spatial audio course.\r\n\r\n[learn more here](https:\/\/www.vrtonung.de\/en\/learning-the-3d-audio-course\/)\r\n\r\n###Let's talk about your project\r\n\r\nStuck on a concrete 3D audio production and can't move forward?\r\n\r\n[Get in touch \u2192](https:\/\/www.vrtonung.de\/en\/contact\/)\r\n","related_articles":[2882,2425,6343,1424,9349]},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>VRTonung learning - THE spatial audio course for immersive media -<\/title>\n<meta name=\"description\" content=\"Get insights on VRTonungs own spatial audio course. Explore the endless potential and future of immersive media.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.vrtonung.de\/en\/vrtonung-learning-the-spatial-audio-course-for-immersive-media\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"VRTonung learning - THE spatial audio course for immersive media -\" \/>\n<meta property=\"og:description\" content=\"Get insights on VRTonungs own spatial audio course. Explore the endless potential and future of immersive media.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.vrtonung.de\/en\/vrtonung-learning-the-spatial-audio-course-for-immersive-media\/\" \/>\n<meta property=\"og:site_name\" content=\"VRTONUNG - 3D Audio\" \/>\n<meta property=\"article:published_time\" content=\"2023-11-24T11:24:01+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-05-25T17:11:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.vrtonung.de\/wp-content\/uploads\/3D-audio-kurs-3.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"630\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"swetli19\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/www.vrtonung.de\/wp-content\/uploads\/3D-audio-kurs-4.jpg\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"swetli19\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"15 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.vrtonung.de\\\/en\\\/vrtonung-learning-the-spatial-audio-course-for-immersive-media\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.vrtonung.de\\\/en\\\/vrtonung-learning-the-spatial-audio-course-for-immersive-media\\\/\"},\"author\":{\"name\":\"swetli19\",\"@id\":\"https:\\\/\\\/www.vrtonung.de\\\/#\\\/schema\\\/person\\\/4cb7d1c81216e9dff000396cde0febfb\"},\"headline\":\"VRTonung learning &#8211; THE spatial audio course for immersive media\",\"datePublished\":\"2023-11-24T11:24:01+00:00\",\"dateModified\":\"2026-05-25T17:11:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.vrtonung.de\\\/en\\\/vrtonung-learning-the-spatial-audio-course-for-immersive-media\\\/\"},\"wordCount\":10,\"keywords\":[\"Overview\",\"Tools\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.vrtonung.de\\\/en\\\/vrtonung-learning-the-spatial-audio-course-for-immersive-media\\\/\",\"url\":\"https:\\\/\\\/www.vrtonung.de\\\/en\\\/vrtonung-learning-the-spatial-audio-course-for-immersive-media\\\/\",\"name\":\"VRTonung learning - THE spatial audio course for immersive media -\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.vrtonung.de\\\/#website\"},\"datePublished\":\"2023-11-24T11:24:01+00:00\",\"dateModified\":\"2026-05-25T17:11:00+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/www.vrtonung.de\\\/#\\\/schema\\\/person\\\/4cb7d1c81216e9dff000396cde0febfb\"},\"description\":\"Get insights on VRTonungs own spatial audio course. Explore the endless potential and future of immersive media.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.vrtonung.de\\\/en\\\/vrtonung-learning-the-spatial-audio-course-for-immersive-media\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.vrtonung.de\\\/en\\\/vrtonung-learning-the-spatial-audio-course-for-immersive-media\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.vrtonung.de\\\/en\\\/vrtonung-learning-the-spatial-audio-course-for-immersive-media\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.vrtonung.de\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"VRTonung learning &#8211; THE spatial audio course for immersive media\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.vrtonung.de\\\/#website\",\"url\":\"https:\\\/\\\/www.vrtonung.de\\\/\",\"name\":\"VRTONUNG - 3D Audio\",\"description\":\"\",\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.vrtonung.de\\\/#\\\/schema\\\/person\\\/4cb7d1c81216e9dff000396cde0febfb\",\"name\":\"swetli19\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/76d661246cf89245dece39a8b450bc3bd2cc763d66e903ab5b3156eb5de0e503?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/76d661246cf89245dece39a8b450bc3bd2cc763d66e903ab5b3156eb5de0e503?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/76d661246cf89245dece39a8b450bc3bd2cc763d66e903ab5b3156eb5de0e503?s=96&d=mm&r=g\",\"caption\":\"swetli19\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"VRTonung learning - THE spatial audio course for immersive media -","description":"Get insights on VRTonungs own spatial audio course. Explore the endless potential and future of immersive media.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.vrtonung.de\/en\/vrtonung-learning-the-spatial-audio-course-for-immersive-media\/","og_locale":"en_US","og_type":"article","og_title":"VRTonung learning - THE spatial audio course for immersive media -","og_description":"Get insights on VRTonungs own spatial audio course. Explore the endless potential and future of immersive media.","og_url":"https:\/\/www.vrtonung.de\/en\/vrtonung-learning-the-spatial-audio-course-for-immersive-media\/","og_site_name":"VRTONUNG - 3D Audio","article_published_time":"2023-11-24T11:24:01+00:00","article_modified_time":"2026-05-25T17:11:00+00:00","og_image":[{"width":1200,"height":630,"url":"https:\/\/www.vrtonung.de\/wp-content\/uploads\/3D-audio-kurs-3.jpg","type":"image\/jpeg"}],"author":"swetli19","twitter_card":"summary_large_image","twitter_image":"https:\/\/www.vrtonung.de\/wp-content\/uploads\/3D-audio-kurs-4.jpg","twitter_misc":{"Written by":"swetli19","Est. reading time":"15 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.vrtonung.de\/en\/vrtonung-learning-the-spatial-audio-course-for-immersive-media\/#article","isPartOf":{"@id":"https:\/\/www.vrtonung.de\/en\/vrtonung-learning-the-spatial-audio-course-for-immersive-media\/"},"author":{"name":"swetli19","@id":"https:\/\/www.vrtonung.de\/#\/schema\/person\/4cb7d1c81216e9dff000396cde0febfb"},"headline":"VRTonung learning &#8211; THE spatial audio course for immersive media","datePublished":"2023-11-24T11:24:01+00:00","dateModified":"2026-05-25T17:11:00+00:00","mainEntityOfPage":{"@id":"https:\/\/www.vrtonung.de\/en\/vrtonung-learning-the-spatial-audio-course-for-immersive-media\/"},"wordCount":10,"keywords":["Overview","Tools"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.vrtonung.de\/en\/vrtonung-learning-the-spatial-audio-course-for-immersive-media\/","url":"https:\/\/www.vrtonung.de\/en\/vrtonung-learning-the-spatial-audio-course-for-immersive-media\/","name":"VRTonung learning - THE spatial audio course for immersive media -","isPartOf":{"@id":"https:\/\/www.vrtonung.de\/#website"},"datePublished":"2023-11-24T11:24:01+00:00","dateModified":"2026-05-25T17:11:00+00:00","author":{"@id":"https:\/\/www.vrtonung.de\/#\/schema\/person\/4cb7d1c81216e9dff000396cde0febfb"},"description":"Get insights on VRTonungs own spatial audio course. Explore the endless potential and future of immersive media.","breadcrumb":{"@id":"https:\/\/www.vrtonung.de\/en\/vrtonung-learning-the-spatial-audio-course-for-immersive-media\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.vrtonung.de\/en\/vrtonung-learning-the-spatial-audio-course-for-immersive-media\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.vrtonung.de\/en\/vrtonung-learning-the-spatial-audio-course-for-immersive-media\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.vrtonung.de\/en\/"},{"@type":"ListItem","position":2,"name":"VRTonung learning &#8211; THE spatial audio course for immersive media"}]},{"@type":"WebSite","@id":"https:\/\/www.vrtonung.de\/#website","url":"https:\/\/www.vrtonung.de\/","name":"VRTONUNG - 3D Audio","description":"","inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/www.vrtonung.de\/#\/schema\/person\/4cb7d1c81216e9dff000396cde0febfb","name":"swetli19","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/76d661246cf89245dece39a8b450bc3bd2cc763d66e903ab5b3156eb5de0e503?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/76d661246cf89245dece39a8b450bc3bd2cc763d66e903ab5b3156eb5de0e503?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/76d661246cf89245dece39a8b450bc3bd2cc763d66e903ab5b3156eb5de0e503?s=96&d=mm&r=g","caption":"swetli19"}}]}},"_links":{"self":[{"href":"https:\/\/www.vrtonung.de\/en\/wp-json\/wp\/v2\/posts\/9905","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.vrtonung.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.vrtonung.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.vrtonung.de\/en\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/www.vrtonung.de\/en\/wp-json\/wp\/v2\/comments?post=9905"}],"version-history":[{"count":15,"href":"https:\/\/www.vrtonung.de\/en\/wp-json\/wp\/v2\/posts\/9905\/revisions"}],"predecessor-version":[{"id":17485,"href":"https:\/\/www.vrtonung.de\/en\/wp-json\/wp\/v2\/posts\/9905\/revisions\/17485"}],"acf:post":[{"embeddable":true,"href":"https:\/\/www.vrtonung.de\/en\/wp-json\/wp\/v2\/posts\/9349"},{"embeddable":true,"href":"https:\/\/www.vrtonung.de\/en\/wp-json\/wp\/v2\/posts\/1424"},{"embeddable":true,"href":"https:\/\/www.vrtonung.de\/en\/wp-json\/wp\/v2\/posts\/6343"},{"embeddable":true,"href":"https:\/\/www.vrtonung.de\/en\/wp-json\/wp\/v2\/posts\/2425"},{"embeddable":true,"href":"https:\/\/www.vrtonung.de\/en\/wp-json\/wp\/v2\/posts\/2882"}],"wp:attachment":[{"href":"https:\/\/www.vrtonung.de\/en\/wp-json\/wp\/v2\/media?parent=9905"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.vrtonung.de\/en\/wp-json\/wp\/v2\/categories?post=9905"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.vrtonung.de\/en\/wp-json\/wp\/v2\/tags?post=9905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}