{"id":5175,"date":"2022-03-02T19:09:23","date_gmt":"2022-03-02T18:09:23","guid":{"rendered":"https:\/\/www.vrtonung.de\/erfahrungsbericht-vr-konzert\/"},"modified":"2026-07-19T10:03:47","modified_gmt":"2026-07-19T08:03:47","slug":"field-report-vr-concert-metaverse","status":"publish","type":"post","link":"https:\/\/www.vrtonung.de\/en\/field-report-vr-concert-metaverse\/","title":{"rendered":"Not Very METAverse Yet \u2013 The Concert VR as a Field Report"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_yoast_wpseo_opengraph-image":"https:\/\/www.vrtonung.de\/wp-content\/uploads\/vr-konzerte_titelbild_facebook_1200x630.jpg","_yoast_wpseo_opengraph-image-id":"5159","_yoast_wpseo_twitter-image":"https:\/\/www.vrtonung.de\/wp-content\/uploads\/vr-konzerte_titelbild_twitter_1024x512.jpg","_yoast_wpseo_twitter-image-id":"5157","footnotes":""},"categories":[],"tags":[21,25],"class_list":["post-5175","post","type-post","status-publish","format-standard","hentry","tag-music-en","tag-storytelling-en"],"acf":{"remove_from_blog_overview":false,"alternative_title":"","previewimg":"","text":"##An experience of success?\r\n\r\nWhen I was surfing the usual suspects (techradar; uploadVR; mixed.de) of VR internet sites again, the VR concert of the Foo Fighters on Meta\u2019s platform Horizon Venues was the topic of conversation par excellence. \r\n\r\n**Not because it was such a great success, but rather the opposite.**\r\n\r\nSeveral users reported login problems including server crashes and \u2013 if you managed to log in \u2013 you saw a pre-recorded concert that only had two 180 degree monoscopic video streams. So the whole thing seemed to have been a bit of a shot in the dark.\r\n\r\nUnfortunately \u2013 or rather luckily \u2013 Meta\u2019s Horizon Venues app isn\u2019t available in Germany (you can find more info on the concert [link url=\"https:\/\/www.oculus.com\/blog\/catch-foo-fighters-in-vr-horizon-venues-concert-to-air-february-13-after-the-big-game\/?locale=de_DE\" text=\"here\"]). But spurred on by the reports, I started looking for a way to watch concerts in VR. Sure, there are already virtual concerts, some of which thrill millions of viewers.\r\n\r\n- [link url=\"https:\/\/www.youtube.com\/watch?v=NBsCzN-jfvA&t=240s\" text=\"Marshmallow\"] with over 10 million viewers in Fortnite.\r\n- [link url=\"https:\/\/www.youtube.com\/watch?v=eGy64l9Yuuw&t=6s\" text=\"John Legend\"] as an avatar in WaveXR \r\n- [link url=\"https:\/\/www.youtube.com\/watch?v=6JT-FYQMOAU\" text=\"Wacken XR\"] featuring virtual \"mixed reality\" stage from Magenta Music 360\r\n\r\nHowever, these concerts are still meant for the ordinary flat screen TV and not really what I imagine the future of a VR concert to be. Since I \u201conly\u201d have a Meta Quest 2 available for research purposes, the search for music was limited to the Meta Quest Store.\r\n\r\nBut don\u2019t concerts in the metaverse have a huge potential? Exactly! The added thrill of a stunning new world and exploring a captivating, themed virtual world while enjoying a front-row seat experience can truly elevate the overall performance.\r\n\r\n[newsletteroptin text=\"Discover more on VR and its concerts!\"]\r\n\r\n##The Current State of VR Concerts\r\n\r\nThe landscape of VR concerts is rapidly evolving, driven by technological advancements and innovative approaches to immersive experiences. Leading the charge is AmazeVR, a pioneer in the field, pushing the boundaries of what\u2019s possible in virtual reality concerts. \r\n\r\nWith the rise of VR technology, fans can now experience their favorite artists in entirely new and intimate ways, blurring the lines between the physical and virtual worlds. Imagine being in the front row of a concert, feeling the energy and emotion of the performance, all from the comfort of your home. \r\n\r\nThis is the promise and future of VR concerts, and it\u2019s becoming a reality faster than ever.\r\n\r\n##Are there any VR concerts in the store at all?\r\n\r\nThe disillusionment was immediate: There are almost no hits under the term German word \u201cKonzert\u201d in the store. Among other things, Horizon Venues was suggested, which, as I said, is not yet released in Germany. So that maybe a reason I guess.\r\n\r\nYoutube VR and Netflix are also shown to me, but I don\u2019t really associate these apps with a VR concert at first glance. Of course, they are serious streaming providers \u2013 especially on YouTube. You have many options to watch virtual concert recordings with 360\u00b0 or 180\u00b0 videos. The store offers an ever-expanding and ever expanding selection of of VR concerts, providing fans with more opportunities to engage with their favorite artists.\r\n\r\nAt least [link id=\"819\" text=\"Ambisonics\"] is also supported, but unfortunately this is only produced in exceptional cases. Most of the time, you have to make do with 360\u00b0 videos, where the camera is fixed on the stage or in the audience and the importance of the sound feels irrelevant. So here is a typical example that VRTonung may or may not be affiliated with \ud83d\ude09\r\n\r\n[ytvideo id=\"41xTw5UUgpE\"]\r\n\r\nFor the test, I downloaded the apps VARK and MELODY VR to the Meta Quest 2. However, it feels like that is it already for the selection of apps that have something to do with concerts or musical performances in their short description.\r\n\r\n##Technical Aspects of VR Concerts\r\n\r\nThe technical aspects of VR concerts are nothing short of fascinating. These experiences are built on a foundation of high-fidelity stereoscopic video, meticulously crafted virtual worlds using Unreal Engine, and interactive features that make fans feel like they\u2019re part of the performance. \r\n\r\nAmazeVR\u2019s proprietary technology seamlessly integrates these elements, creating an immersive experience that rivals the thrill of a live concert. With VR headsets and specialized software, artists can perform in virtual environments that are almost indistinguishable from real life, enhancing the sense of presence and engagement. \r\n\r\nThis blend of cutting-edge technology and creative artistry is what makes VR concerts a stunning new world for music lovers.\r\n\r\n##Anime in the virtual karaoke bar\r\n\r\nThe first thing I do is launch the VARK app. The login is quick; you don\u2019t have to enter an e-mail. After creating a name and a very funny anime character, you can start right away. The anime style is then also the main theme of VARK \u2013 which is perhaps not exactly surprising for a Japanese developer company.\r\n\r\nOnce in the virtual concert arena, there is the first small disappointment. There aren\u2019t very many concerts and they cost virtual cash, which you can buy in the app with real money (with yen! .\r\n\r\nAfter all, there is exactly one song per concert for free. The concert feels more like an event than a virtual karaoke night. The song is poppy and in Japanese, which is why I don\u2019t understand a single word. But doesn\u2019t matter, K-Pop and J-Pop became international success even so.\r\n\r\n[image id=\"5163\"]\r\n\r\nI\u2019m in the middle of the virtual audience and have two glowsticks in my hand to wave. A few nice gags are also built in: Small fireworks or flowers can be thrown towards the dance stage. \r\n\r\nIf you like Japanese dance anime in the vein of Miku Hatsune, you\u2019ll definitely enjoy this collection. But it didn\u2019t quite meet my taste (to be fair, I was forewarned by the app description what to expect).\r\n\r\n##Artist and Fan Engagement in VR Concerts\r\n\r\nOne of the most exciting aspects of VR concerts is the enhanced engagement between artists and fans. AmazeVR\u2019s VR concerts allow fans to step into the music, experiencing the energy and emotion of a live performance in a way that\u2019s not possible in a traditional concert setting. \r\n\r\nArtists, too, can benefit from the immersive nature of VR concerts, using the technology to create new and innovative ways to connect with their fans. With AmazeVR\u2019s exclusive VIP concert experiences, fans can get up close and personal with their favorite artists, enjoying a level of intimacy and access that\u2019s unprecedented in the music industry. \r\n\r\nThis reimagined concert experience is transforming how we connect with music and artists.\r\n\r\n##Where to go to the concert?\r\n\r\nA bit irritated, but then quite amused, I close VARK and immediately start the next app: MelodyVR. The description sounds promising: \r\n\r\n>\"MelodyVR is your all access pass to live music in virtual reality.\" \r\n\r\nAnd it also seems to be musically diverse, from classical music to hip hop to country.\r\n\r\nBut disillusionment follows relatively quickly. In the menu, I have several categories more concerts to choose from; curiously, I select \u201cOriginals\u201d. Here I even find some free \u201cconcerts\u201d. On closer inspection, however, these turn out to be more of an appetizer: the length of more concerts is between six and ten minutes.\r\n\r\nThe artist name \u201cKygo\u201d says something to me, so I start with that song. A few seconds later I find myself on a skyscraper roof (probably in Miami) and Kygo is sitting at a grand piano strumming a few songs. \r\n\r\nIt is not so much the music that is disappointing, but rather the technical implementation: There is only one perspective, which, similar to the Foo Fighters concert, is merely a monoscopic 360\u00b0 video. Even worse: The VR concert is played out in classic stereo sound. The VR feeling is not really there.\r\n\r\n[image id=\"5165\"]\r\n\r\nThe snippets from other VR concerts don\u2019t look any more promising. Although there are sometimes more or less perspectives, the quality of image and sound is not what I would have hoped for a VR concert.\r\n\r\nThat\u2019s also the reason why I wouldn\u2019t even think of paying for another VR concert in the app. After all, they actually cost quite a bit of money \u2013 ten euros on average. \r\n\r\nOf course, this one event is cheaper than most real life such concerts and also shows how something like this can become interesting for bands and artists in the long term. But it still feels like it needs a few more years.\r\n\r\n##That\u2019s all a VR concert has to offer? Not quite yet!\r\n\r\nA bit disappointed, I pull the Oculus aka Meta Quest from my head. But I don\u2019t want to give up that quickly. So I google and after some research I find a promising app: STAGEVERSE.\r\n\r\nThe app cannot be found directly in the Oculus Store, but only in the \u201cApp Lab\u201d \u2013 a kind of virtual laboratory where developers can upload their beta versions and have them tested. Nevertheless, the description sounds promising again:\r\n\r\n>\"Dive into concerts, explore interactive art exhibits, stumble upon secret speakeasy pop-up. Or kick it with friends in a listening room.\"\r\n\r\nAfter launching the app, I\u2019m asked for a phone number or email: while I\u2019m not a fan of giving out private data at all, hey, you have to make sacrifices for science! Whatever they want with my email in VR, but oh well.\r\n\r\nSimilar to VARK, I can craft a character including different outfits at the beginning. Likewise, I find myself in front row a virtual hall before the actual concert. There are announcements for new VR concerts in addition to a small art installation. Via a portal, I can \u201cbeam\u201d myself into the Tool VIP Lounge, with a virtual Lamborghini and other chichi.\r\n\r\n[image id=\"5167\"]\r\n\r\nDuring my visit, the concert \u201cEnter the simulation\u201d of the band Muse is already in full swing and so I just jump in the middle. But here, too, I am rather mediocrely impressed.\r\n\r\nAlthough the whole thing seems to be recorded stereoscopically and I can jump to several locations this time from front row, the sound is again only pure stereo \u2013 no matter which perspective I take, the sound does not change.\r\n\r\n[image id=\"5161\"]\r\n\r\nWhy not at least work with Ambisonic or Object-Based Audio? The implementation is not particularly difficult today and should not be a problem for such a large production. My conclusion: An impressive stage show without appropriate sound does not create a good concert atmosphere.\r\n\r\n##Overcoming Challenges in VR Concerts reimagined\r\n\r\nDespite the many advantages of VR concerts, there are still challenges to be overcome. One of the primary hurdles is ensuring that the technology is accessible and user-friendly, allowing fans to easily navigate the virtual environment and fully immerse themselves in the experience. \r\n\r\nAmazeVR has addressed this challenge through the development of intuitive interfaces and user-friendly software, making it easy for fans to enjoy VR concerts without requiring extensive technical expertise. Another challenge is ensuring that the VR concert experience is scalable, allowing for large numbers of fans to participate simultaneously.\r\n\r\nAmazeVR\u2019s proprietary technology has been designed with scalability in mind, enabling the company to deliver high-quality VR concerts to a wide audience. This focus on accessibility and scalability is crucial for the future success of VR concerts, ensuring that more fans can enjoy these groundbreaking experiences.\r\n\r\n##What changes VR for the concert world?\r\n\r\nNow, as a musicologist, I may see concerts from a different perspective than the developers of the respective apps. For me, the music takes the greatest importance on a concert evening, which is why the disappointment of me and those who wanted to attend the virtual Foo Fighters concert is so great. \r\n\r\nSound and picture quality also don\u2019t (yet) live up to what one secretly hopes for. Nevertheless, that is not the sole characteristic of a concert.\r\n\r\nMusicologist and composer Christopher Small has coined the very appropriate term \u201cmusicking.\u201d In short, he means that, on the one hand, the concert begins at home at the closet and ends with friends in the evening with a drink or a conversation about the concert. \r\n\r\nOn the other hand, it is not only the musicians on stage, but all of us who make a concert and the surrounding area so unique and memorable.\r\n\r\nPerhaps the companies and developers of such apps should be inspired a little more by this \u201csurrounding\u201d and also consider it as similarly important for a successful concert evening. Give me a musical experience that I can\u2019t have in the analog world \u2013 let the \u201cvirtual world inspired musicking\u201d be much more spectacular than the reality VR concert itself!\r\n\r\n>Jacob Richter is a musicologist and currently a research assistant and PhD student at the HfMT Hamburg. His dissertation deals with the aesthetic effect of music and sound in virtual reality.\r\nHe is also a sound designer, composer and producer of the award-winning VR escape game Huxley (winner of the German Computer Game Award and VRNow Awards).\r\n\r\n[ytvideo id=\"mUoRrrBYokw\"]\r\n\r\nI hope you got excited \u2013 if so: feel free to get in contact.\r\n\r\n###Let's talk about your project\r\n\r\nAre you working on a VR experience and the audio still feels flat?\r\n\r\n[Get in touch \u2192](https:\/\/www.vrtonung.de\/en\/contact\/)\r\n","related_articles":[1453,834,1380,7544,6729]},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>VR Concert Field Report: What It&#039;s Actually Like (2025)<\/title>\n<meta name=\"description\" content=\"I attended a VR concert in the metaverse \u2014 a field report on spatial audio, presence, and whether VR concerts can replace the real thing.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.vrtonung.de\/en\/field-report-vr-concert-metaverse\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"VR Concert Field Report: What It&#039;s Actually Like (2025)\" \/>\n<meta property=\"og:description\" content=\"I attended a VR concert in the metaverse \u2014 a field report on spatial audio, presence, and whether VR concerts can replace the real thing.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.vrtonung.de\/en\/field-report-vr-concert-metaverse\/\" \/>\n<meta property=\"og:site_name\" content=\"VRTONUNG - 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